成都别墅装饰聆听马岩松的灵感建筑

发布人:王心竹
2016-08-30 15:28
   近日Gooood设计专门和灵感建筑设计师马岩松进行了一次深度对话,我们将对话做了简单整理,希望能从建筑学的角度让大家更好的理解设计的趋势,毕竟成都别墅装修属于建筑中的室内装修设计。听听大师都想要告诉我们什么。先做一个简单的介绍。
    马岩松,男,1975年生于北京, 美国耶鲁大学建筑学硕士。现为北京MAD建筑事务所创始人,任教中央美术学院。马先生获奖无数,曾于意大利、丹麦、纽约等地都举办过个人设计展,因2006年MAD建筑事务所在加拿大多伦多ABSOLUTE超高层国际竞赛里中标的“梦露大厦”设计(2009年建成)中标,成为历史上首位在国外赢得重大标志性建筑项目的中国建筑师而享誉全球。
 
别墅设计大师
 
 
Q & A 问答预览 
 
Q1:MAD在2012年的时候打造了完成了两个超大型项目:梦露大厦和鄂尔多斯博物馆。但是这两个作品都是将近5年前设计的,并且也是您工作室的一个标志性作品。我们想知道,加入做一个对比,现在您的理念和当时设计这两个作品的时候有哪些改变呢?(成都别墅设计)具体体现在哪里。
    MAD in 2012 to create two mega projects: Monroe building and the Ordos museum. But these two works are designed almost 5 years ago, and they are also the signature works of your studio. We would like to know, if you do a contrast, and now your idea and then design the two works when what is the change? Specifically reflected in where.
 
成都别墅建筑设计
△马岩松鄂尔多斯博物馆设计作品
 
A1:其实这些想法已经积累了很多时间,可能2004年、2003年的时候就已经有叻。我当时就在想,如果我们在北美摩天大楼聚集地打造一个自己的作品会是什么样的表现方式呢?于是,2005年的时候我们设计了鄂尔多斯博物馆,紧接着下半年设计了加拿大的梦露高层建筑。
    In fact, these ideas have accumulated a lot of time, May 2004, 2003 already had. I was thinking, what if we were to build a skyscraper in North America to create a work of its own? So, in 2005, we designed the Ordos Museum, followed by the second half of the design of the Canadian Monroe high-rise buildings.
 
成都别墅现代装修风格
△马岩松鄂尔多斯博物馆设计作品
 
    现在和过去的理念肯定会有变化,但是我觉得永恒的是我们还是非常关注社会环境问题。不变的呢,到现在还是我们今天还是挺关注社会的环境。鄂尔多斯博物馆其实探讨的就是一个历史文明、地方文化在现代文明中的位置的问题。其次,作为一个纯粹的东方人我们怎么在北美这个大环境之下来表现梦露大厦呢?其实这些都是很尖锐的问题。最初的时候我们(成都别墅装修公司)本来想以批判精神去批判摩天大楼从某种意义上是资本主义高端阶层权利和资本的表现,但是后来,我们希望换一种更加柔和的方式去体现建筑的力量。这样柔和的出发点,也是我们对待人文问题、环境问题等等的表现形式,一直持续到现在。
    Now and in the past the concept will certainly change, but I think the eternal is that we are still very concerned about the issue of social environment. The same, now or we are still very concerned about the environment of society. Ordos museum is actually a historical civilization, local culture in the modern civilization, the location of the problem. Secondly, as a pure Oriental, how do we in North America, the big environment down the performance of the Monroe building? In fact, these are very acute problems. At first we wanted to show the spirit of criticism, but later, we wanted to change a more gentle way to reflect the power of the building. This soft starting point, but also our treatment of cultural issues, environmental issues, and so on the expression of the form, has continued until now.
 
麓湖生态城装修案例
△马岩松梦露大厦设计作品
 
Q2:马老师,您一直提倡的“山水城市”概念的景象引起了业界的广泛讨论。那么我们想知道,在建筑这个领域里面,您所倡导的山水城市这个概念应该怎么发展呢?
    Ma, you have been advocating the scene "landscape city" concept has aroused widespread discussion in the industry. So we want to know this area inside the building, you have advocated the concept of urban landscape should be how to develop it?
 
金悦湾软装设计
△马岩松城市森林设计作品
 
A2:山水城市是理想生活,就是未来我们生活的麓湖生态成效果图城市长相。现在很多城市的长相千篇一律,或者有那么一些标新立异的作品。当前不少的标志性建筑,试图象征这座城市,但是不是这样的。有不少传统的老城市(成都软装设计)已经给了我们启发,例如老北京、苏州这些,有历史积淀、有灵魂、有文化传承,它整个都有一种独特的价值观或者长相,所以整体这些城市的发展是有特色的,这也是我们很多新城市所缺少的。
    Landscape city is an ideal life, is the future we live in a city appearance. Many cities now looks the same, or have some new work. The current many landmark buildings in an attempt to symbolize the city, but it is not. Old city has many traditional gives us inspiration, such as the old Beijing, suzhou, history, has a soul, a cultural heritage, it the whole has a unique values or appearance, so the development of the whole city is distinctive, this also is we lack many of the new city.
 
成都金悦湾软装设计
△马岩松城市森林设计作品
 
   我的山水城市就是讲的这个层面,我们的未来生活。总体来讲,我觉得它是一种更加人性思考的东西,我觉得一个现代城市它(的成都别墅装饰)应该建立在人、城市、自然和谐发展这个老话题之下的,然后我们在这个基础之上来关注人文情怀、关注历史传承等等。总得来讲,我觉得这是一种价值观与梦境的营造。
 My landscape city is about the level, our future life. Overall, I think it is a more human nature thought, I think it should be based on a modern urban people, city and nature harmonious development under the old topic, we then on this basis to focus on humanity, pay attention to history and so on. Generally, I think this is a kind of values and dreams to build.
 
麓山国际装修案例
△马岩松国家美术馆设计作品
 
Q3: MAD 目前是国内建筑界的成功案例,我们好奇的是,在您和工作室告诉成长的过程当中,你们有过哪些不太顺畅的时候,以及面对这些的时候,你们又是用什么样的方式来应对呢?
MAD is the successful cases of domestic architecture at present, we are curious, in the process of growth and studio you tell, you have what not too smooth, and in the face of these, you is a what kind of way to deal with?
 
马岩松国家美术馆设计作品
△马岩松国家美术馆设计作品
 
A3:任何人在任何行业的任何时期,都会遇见困难。这个不是我们(成都别墅装修公司)需要在意的地方。我觉得最大的困难是如何去认识自己,把控自己、发展自己。比如我们现在,我们可以发展得更快,接很多的设计来做,但是这样你就没有思考的时间了。如果是这样成功的话,很简单。但是,思想上的成功才是真正具备影响力的。你思想的成熟度基于时间的积淀、基于你思考的程度,这不是你接了多少作品可以衡量的。而这个,是我们工作室一个长期的态度,我们不会去想我们在中国处于什么位置了,我们觉得更多的时间和经理应该是我们怎么去看中国传统文化这些事情。思想,才是最重要的。
    Anyone at any time in any industry, will meet difficulties. This is not the place where we need to care about. I think the biggest difficulty is how to get to know themselves, to control, development themselves. For example, we now, we can develop more quickly, meet a lot of design to do, but so that you do not have time to think. If this is successful, very simple. However, the success is really have influence on his mind. Your thoughts based on the time of maturity of the degree of accumulation, based on your thinking, this is not how much you pick up the work can be measured. And this, is our studio a long-term attitude, we will not go to think where are we in China, we should think more time and manager is how do we go to the Chinese traditional culture these things. Thought, is the most important thing.
 
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△马岩松皇都艺术中心设计作品
 
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